Publish With Ink in Blood | Gothic Publishing for Authors

Publish With Ink in Blood Press

For authors who write in the shadows.

We specialise in gothic fiction, dark classics, supernatural tales, and atmospheric literature. If your work bleeds with darkness, we want to see it.

What we publish & what we offer

Ink in Blood Press publishes gothic fiction, dark romance, supernatural tales, occult stories, and atmospheric horror. We look for manuscripts with strong voice, emotional depth, and a distinctive gothic tone, stories driven by obsession, mystery, tragedy, and the uncanny.
If your work carries darkness, atmosphere, and literary ambition, we want to see it.

Choose Your Publishing Path

The Ink & Bone Edit
For authors who want a professionally polished manuscript, ready for self-publishing.
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1 hr
£850
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The Bloodbound Hybrid
Shared cost. Shared vision. Shared reward.
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1 hr
£1200
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Add-on Services
Optional enhancements to refine your book’s final form.
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1 hr
Depend on service
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Upcoming Books

THE GOTHIC THAT REFUSES TO DIE: A REPORT ON THE DARK RISING OF ILLUSTRATED CLASSICS IN 2025

By Muna, Founder of Ink in Blood Press A YEAR WRAPPED IN VELVET AND SHADOW The first thing you notice about 2025 is not the technology, not the AI, not the endless wars of algorithms fighting for your attention. No, what you notice is the resurrection . Something old, perfumed with dust and candle smoke, is stirring again. Not politely, not academically, not in the safe little circles of people who read out of duty. No, no — the Gothic is coming back with fangs bared, embroid

The New Gothic Cinema Revival: Why 2025 Is the Year of Darkness

By Ink in Blood Press 2025 is officially the year gothic cinema rose from the grave. After a decade of predictable remakes, “monsterverse” CGI, and sanitized vampire romances, something unexpected happened: audiences started craving darkness again. Not jump-scares. Not teenage supernatural tropes. But real gothic atmosphere , tragedy, obsession, moral decay, doomed romance, ancient fear. This year’s biggest releases prove it: Robert Eggers’ NOSFERATU Guillermo del Toro’s FRAN